Thursday 29 July 2010

"The BLUES ain't bout makin yo self feel better, its bout makin other people feel worse"


I LOVE music, and i absolutely love jazz and "The Blues", there is just something about it that speaks volumes to me. The title of this blog is a quote from the Simpsons, and it is delivered by one of my most fav characters (who unfortunately got killed off) Bleeding Gums Murphy!!! I remember when i first got my guitar, all i wanted to play was the blues, so i started to learn some of Eric Clapton's songs, although there was lightyears worth of distance between my skills and his (i'll let you decide who is better). Somehow through the years i've drifted in to the happy go lucky world of Jazz, which i also love but when i went to "Charlotte Street Blues" (which is the name of the blues bar that i shot these images at, thanx to a fantastic guitarist and drummer friends of mine who are none other than Couros Sheibani and Henry Dobson) the expressions on the musician's faces reminded me of how much i use to love the blues and just how emotional it can get when performing or playing.

From now on i am going to start playing more often, and hopefully start developing more skills and riffs. My problem is that i have the attention span of a squirrel and can never finish learning a scale or chord progression properly so i end up forgetting it a couple of days later, but now if i force myself to learn songs and play with more people regularly then i will have no choice but to get better!!!

All the performers at the bar were incredible both to watch and listen to and i was completely blown away by their skill and passion!!! I was put to shame by a boy who looks no older than 14 playing like a seasoned pro, and seeing that kid play in such an amazing way has inspired me to go back to the guitar & sax and play my ass of every day!!! I will definitely be going back to Charlotte Street to listen to some more amazing music being performed by london's best blues musicians and young talent.


Sunday 11 July 2010

A Fresh Start


Firstly apologies for not having posted this sooner and not being very responsive to people's messages, but in my defence i've been a bit busy and am at a very important point in my life. For the past couple of weeks i have been in training and working for a really great company that i hope i still feel the same about in the next couple of years as i can actually see myself having a future with my current job. When i was younger i absolutely loved the sense of security and routine, it made me efficient and confident but unfortunately it also made me arrogant and while the other kids my age were playing football, tag, jump rope etc... i spent my time reading, doing my multiplication tables and talking with my teachers to see how i can learn more and improve my knowledge of things... in other words i was a teachers Chihuahua!!! It was the same when i first came to england, i tried to keep to myself and also to my studies but little by little i started to change and as i started to go in to higher education, the sense of routine and stable life kind of started to scare me as i had started to improvise and take things as they come instead of mapping my life out before i have even done anything.

Now i have been given an amazing opportunity and i am so very happy to be at a point in my life where i am excited by whats going to happen but i can rest assure that as long as i work hard and keep pushing myself to do better, i can achieve the goals that i set for myself. I love performing and i love photography, but i think above all the thing i love the most is... connecting with people and to me that is the most valuable thing and i am so grateful that i get to be able to balance all of those three things in one job that pushes me to do better, that inspires me to help and inspire others.

Well my point is that life will throw you an obstacle course and you can try to plan what route you are going to take or you can just run through it blind, but if you take a moment look around you and tackle the course section by section and actually enjoy and find away to make the obstacles easier for yourself it no longer becomes an obstacle course but a fascinating maze to explore.

As for the pictures, they are from a recent production titled "She From The Sea" that a very good friend of mine designed. The production is a part of a bigger company which aims to give women who have had a rough journey and have been involved with the justice system a fresh start and a chance to explore a passion weather it is in performance or other aspects. I wish them all the best of luck with their careers and i hope to see more productions in the near future.


Thursday 8 July 2010

"You think you know, BUT you DONT!!!!"


Yesterday i had the fantastic pleasure of shooting a very good friend of mine, who is a very talented Actor/Singer/ Dancer/ Yogi and all round great person, known by the name of Mat Millns. Mat is currently performing at the Pentamiters Theatre in Hampstead in "You Never Can Tell". I know Mat from our days at the Gielgud (where i met many good friends whom i dearly miss as i don't get to see them as much as i use to) so when he asked me to do some quick head shots for him in the park before his show, it was a no brainer.

To say that Mat is full of life is an understatement as he has the ability to walk in to a room full of people he has never met and within minutes turn them in to an army of friends. Mat is someone whom i would ask advice from because he is a very honest person and wont tell me things i want to hear, to me that is a valuable friend as he tells me his exact view without any sugar coating.

Normally when i shoot actor's head shots i usually use a huge window to my back or have a speedlight in to a reflective or shoot through umbrella which has given me some fantastic results, but this time when i was shooting with mat we decided to use natural light in the park. Normally i jump strait to my speedlight as it is what i am use to and i know what results i can get from it, so in a way it is my safety net, but this time all i had to work with was the sunlight being diffused by the trees which to my surprise gave me MUCH BETTER results than any of my strobes did as there was this amazing quality to the light that i could never get with speedlights or strobes.

Some of the shots that i used a speedlight behind mat for were inspired by Zack Arias (who is an amazing photographer based in Atlanta Georgia). I know mat is a very earthly and i figured since we were in the park, lets try and get him to do some yoga and give the impression that he is drawing energy from the forest which is lighting up from the centre. I used a simple canon 430ex ii at full power (with a Stofen diffuser to spread the light) behind Mat with pocket wizards to trigger them. I exposed for mat and just lit the background with the speedlight, that way i get this cool effect where mat is a tad bit underexposed and the background is sort of glowing with light.

Ow and as for the title, its one of mat's lines from "You Never Can Tell" he has most of the best lines in the whole production, its only a pity it took 2 hours for his character to grace the stage, but WELL WORTH THE WAIT!!!

Thursday 1 July 2010

Just My Luck!!!!

Sometimes i just want to curl up in a ball and just rock back and forth because just when i think things are going well life throws a spanner in the works, let me explain.... For the past 3 months i have been doing everything i can to try and get a casting by meeting directors/ producers/ designers/ Casting directors etc... i have been waiting, hunting and begging (well not begging) for a casting and NOTHING, absolute ZILCH!!! All would have been well if i wasn't made redundant from my evening job by two very small minded, petty and IDIOTIC managers. Slowly but surely my finances started to dwindle as i desperately tried to get part time work but no luck. Just when i was about to admit defeat and go back to ushering there was a ray of hope, i was offered a really great job with a really great company and so i jumped at the chance. I figured i will work there for hopefully a year and then see weather i want to cary on a career in that company or if i am HEART AND SOUL an actor by returning to the uncertainty of employment!!!

Now that i am ready and looking forward to starting my new job, i get a call from my agent for 2 really great auditions WHICH I CANNOT MAKE!!!!! this was partially my fault as i had forgotten to update them with my availability, but the timing of it COULDN'T BE WORSE!!! if the first audition was a day EARLIER or the second audition a day LATER it would have been alright but 3 DAMN MONTHS of waiting, hunting and begging (well not begging) AND NOW 2 really great auditions come along and I CANT DO IT without jeopardising my new job (which i have been looking forward to starting for over a month now).

If all of that wasn't enough, i think i may have pissed my agent off with my availability, WHICH IS NEVER A GOOD THING!!!!! I have great respect for my agents because they have been very patient with me and they have been getting me seen for a lot of castings, which is seriously making me think... maybe the reasons i am not getting these castings is cause i am not very good as an actor.

Anywho enough about me ranting and raving, lets talk about these images. The pictures you see are from a production of King Lear at Central School of Speech & Drama, by first and second year students. This is the second time i photographed a production of King Lear and this one was an absolute pleasure to photograph as the director gave me freedom to roam wherever i wanted to and if i had missed something we can photograph it later by getting the actors to re do it. I was very impressed with the production (i have yet to read king lear but i will do so hopefully tonight) and the design aspects of it as well, i think all the people involved in the production have something to be proud of because there were times when i was drawn in by whats going on on stage and i almost forgot i had a job to do.

I hope one day i am back performing on stage again like these young talented performers so until then i wish them all the best with their careers and look forward to hearing about them or seeing them in other productions soon.

Tuesday 29 June 2010

Svetlana, The Lancashire Lesbians & The Crack Smoking Rabbi


Yesterday i had the pleasure of photographing a group of very talented performers who will be taking their shows up to the biggest arts festival in the world that is the Edinburgh Fringe. The picture at the top is of a comedy sketch about the Lancashire Lesbian society which is performed by two very talented young actresses, who also are in the second image as the eastern European siamese twin sisters one of which is named Svetlana (i don't know why i felt the need to mention that but i guess i just really like the name ).

There were a couple of straight forward monologues and duologues which were performed very well but unfortunately not very memorable, thats not to say their performance was bad, its just there was a 3 minute extract from possibly a whole play, which when taken out of context, unless it is fantastically written, it can be easily forgotten. One of the other acts that stood out for me was a musician (who's name i don't have yet, will update it if he contacts me) who performed his own original song titled "Bad Bad Rabbi" about a rabbi who liked to indulge in the smoking of a certain white powder which is frowned up on by the Metropolitan Police.

It has been 2 years since i went to the Edinburgh Fringe Festival and i have been itching to go back up there as it was one of THE BEST MONTHS OF MY LIFE!!!! i was fresh out of university and doing what i loved almost every day for 30 days strait, and if things weren't great enough i was meeting so many interesting people and making friends like i've never known before. To me Edinburgh is a turning point because it forced me to find confidence in myself that i never knew existed as i had to grab the attention of hundreds of people who were passing by on a daily basis and when i did grab their attention i would have to keep it and before Edinburgh i would have cowered at the thought of just grabbing a stranger on the street and starting a conversation with them dressed as a white rabbit (don't get me started on the irony) and trying to convince them to come watch me and my colleagues perform the next morning. The show i was in was of-course Finding Alice, which i absolutely miss as i had a blast working on it with the cast and performing to the families. Till now one of my greatest memories is after we had just finished a show, we held a mad hatter's tea party for the families and one of the kids that saw the show ran up to me and said "Mr Rabbit, (correcting herself) MR, W Rabbit... could i have your autograph" and my immediate thought was, Why do you want my autograph i am WORTHLESS!!! but i didn't say that, i gave her my autograph and she ran to show her brother and mum, and i'll never forget that, Finding Alice was the show that showed me the Fringe Festival so for that i am forever thankful to all who were involved and those that came to watch it.

I now wish all the performers going up (including the cast of The Lesbian Bath House, who are also going up to the fringe) all the best of luck with their shows and i hope they really enjoy what edinburgh has to offer when the sun has set..... cause its ONE HELL OF A PARTY!!!!

Friday 25 June 2010

Self Discovery?


I love theatre, there is just an amazing attraction i have towards it that i just can't explain, i love the fact it is never the same ever again. I am now at a point where i am really learning and discovering who i am, and i know at least that i want theatre to be a big part of my life in one way or another. I love the relationships and friendships you build with your fellow actors during the rehearsals and the run of the show, and you develop a small family with the people you are performing with, and that is something that i don't want to sacrifice because it has given me many fantastic friends whom i respect and really appreciate. Now i have been more of a photographer than an actor but to me that is still alright because it is another great passion of mine and i love that i get to take pictures of my other passion.

The Pictures you are seeing are from a production of "Richard The Third" at Central School of Speech & Drama, by the second year students most of which i recognised from a previous production i photographed which was fantastic... it was called "The Emperor of The Moon". It was a massive challenge to photograph these talented performers as there was quite a lot of seating in the way so i couldn't move around as much as i would have liked and the lowest i could push my ISO down was 1250 but that was for like 40% of the shots, the rest was either 1600 or the dreaded 3200. I would have never ever thought of shooting at ISO 3200 but with really great glass, full frame sensor & some careful nose reduction you can get a VERY USEABLE image but it must be processed very carefully.

Ow and SHOOT RAW!!!! it will save your ass later on in post processing, it will give you the best results out of your images, yea....yea....yea i know, i know.... its a pain to process as the files are huge but would you rather have the best possible results out of your images and a very happy client, or more time to play on Guitar Hero?

i'll leave you to answer that question....


Monday 21 June 2010

R.E.S.P.E.C.T.


Ok the title will explain itself as you read on so let me start at the beginning.....

I once again had to grab my trusty Lowe Pro bag with all my gear in it and run to Central School of Speech & Drama, and this time i was helping out a friend of Suzi's who i now consider a friend of mine as well, ow and her name is Rachel. Rachel is a costume/set/ Graphic designer and an all round genius when it comes to the world of art and creativity. I of-course once again unaware of what it is that i have to shoot grab most of the gear i think i will need and turn up to see the challenge set for me and this time there was a good enough challenge. The challenge was the seriously low lighting (i am in no way criticising the lighting design as it really helped set the mood and tone of the production) as theatre photographers know this is an absolute pain that we have to work through. So far the human eye is the most advanced lens out there as it can see detail in extreme contrasts and make out shapes in almost pitch black scenarios, this is somewhat of a very TALL order for modern day DSLRs.

The production was King Lear, now i have never read or seen a production of King Lear but from what i saw i really like it. I love shakespeare (when i can understand it), i love the relationship between the characters, the misunderstandings, the supernatural aspects etc... the list goes on, but it takes me at least 3 reads of the same play to get a good grasp of the story and relationships. The lovely rachel grabbed me from reception and got me in to the performance studio and everything was going fine until i snapped two frames and this really frustrating director motions me over and whispers into my ears (yet still in a commanding tone)

"Your shutter is too loud, Make sure if you are going to take a picture, you know exactly what picture you want to take before you press that button, don't just click randomly!!!"

Now i'm a very easy going person and i like most other normal people out there show respect to other professionals when i am working with them, to me that was a HUGE insult because A) i'm going there to help out, B) I've invested money in to USM lenses as they are virtually silent, there is very little i can do about the camera shutter sound since its a REHEARSAL!!!! not a live performance, so i can't justify spending a tone of money on a camera body noise dampener, and C) I didn't walk over to the actors and tell them what lines to cut, where to stand or who to look at as they are saying specific lines so WHAT gives him the right to tell me "don't just click randomly".... like i just press the button for 2 hours and hope for the best!!! IMBECILE!!!!

Ahh..... sorry about the ranting on, i just needed to vent, Rachel and the other creatives did a fantastic job with the production and i wish i hadn't seen the production through a viewfinder and got the chance to sit among the audience and really enjoy it, but no doubt one day i will hunt down a production of King Lear and hopefully be FRONT ROW for the experience.

Thank you for reading.

Sunday 20 June 2010

All is not lost!!!


It is inevitable for a photographer at one point to loose images due to a corrupt card or an accidental erase, i unfortunately had this same problem a couple of days ago after shooting pictures of my former teacher and her current students. As you could have guessed from my previous post i was not very happy about loosing 250 images after having traveled and returned home to edit the pictures. I frantically tried to recover any data i could from the card using every method i knew and after hours of failed attempts i had to admit defeat (Which i ABSOLUTELY hate doing!!!). I of-course i had to inform Louisa (my wonderful teacher) of the situation and try to find a time to re shoot.

I take pride in making sure the quality of my work is as high as it can be and telling a client we have to re-shoot is seriously infuriating as that is unacceptable. Thankfully a wonderful GENIUS of a photographer named Karla Gowlett practically SAVED the day, she suggested this wonderful little gem of a program, hidden in the vastness of the internet which not only recovered the images from the memory card but also pictures from a previous format. This is an absolute MUST have for photographers, especially those who shoot a canon 5D, as there is a very STUPID option to delete all your images, which has always frightened me but i will fear it NO MORE!!!! alas i am now 1 memory card down due to the corruption but at least i have all the images recovered so thank you again KARLA, to those of you who may be interested you should definitely check out her work she is a fantastic photographer (just google her full name and you will find her website) and she did my very first set of head shots when i was a student of the "Thespian way".

Now Just to quickly get back to why i was there at the shoot..... Louisa was one of three wonderful teachers at Sir George Monoux College who really inspired me and really opened up my eyes to the world of art. Before meeting Louisa i had.... erm.... well lets just say i had trouble keeping in tune when singing, but after some really helpful guidance and help from her i was feeling confident and singing in-front of people. I never thought myself to take up dance or physical theatre or even singing until i went to Mounoux and met Sandra, Leanne and Louisa but i am thankful that i did because it has helped to shape me in to the person i am today and will continue to do so i hope. When Louisa sent me a message asking me to take portraits of her and her students for a new Academy she is working on, i was thrilled and so i jumped at the chance. After meeting the students i was blown away with their musical skill as i find it so hard to play the piano, guitar and sax and these kids make it look so easy. I hope they really take their time there to learn as much as they can, because now i wish i was in their shoes to still have that safety net of being at school, but on the other hand i can sleep in late and dont have any course work...... HAHA!!!


Friday 18 June 2010

Happy Place, go to my HAPPY PLACE!!!!!

I Just lost 250 Images before i could even import them in to Lightroom
ENOUGH SAID!

Thursday 17 June 2010

The Lesbian Bath House

Yesterday i went to help out a friend of mine with a fashion shoot, i was mainly there to be the assistant and also to advise my friend shall he ask for it or need it. We went to Algate East where the "Studio" was and when we arrived at the time we were told which was 11.30 there was no one to be seen there so after a few phone calls we find out that the client said 11.30 because they didn't want anyone to be late and really wanted to start at 12.00 but annoyingly it was the client that arrived at 12.00, so we decide lets just get on with the day. We finally get in to the studio and..... well.... it was perhaps the WORST ever studio i had seen, it was a disgrace to hold the name STUDIO, there were dirty seamless papers all over the place, wires, props, old broken chairs, and well not a lot of space to work in and oh of course a giant window RIGHT NEXT TO the seamless paper without any way in which to block out the ambient light, and to make matters worse they had ONE trigger for the 5 elinchrome strobes they had which well REFUSED TO FIRE, so i was forced to use my own pocket wizards (which i love by the way) to sort out their idiotic decision to only have one cheap plastic trigger.

After all the technical problems were solved by me and ola we finally started shooting, and we managed to get some really great images for the client and were actually starting to enjoy ourselves. I then had to quickly figure out a way to get the triggers to work because i had to leave to go and take pictures for the poster of my friends new Edinburgh show "The Lesbian Bath House" and i would need all my lighting gear including the pocket wizards. After some technical wizardry and a LOT of luck i managed to get the elinchrom trigger to work. I thanked ola and all the other people involved in that project and quickly made my way to Central School of Speech & Drama where suzi was waiting for
me.

We got in to an experimental lighting room which the students mainly use to work out what things would look like on a scale model before they finalise their designs, and i started to set up my lights, at this point i am a little nervous as i have never shot a large group of people before let alone a large group of gorgeous women, and i get very nervous around gorgeous women as i tend to turn in to a bumbling idiot. After having a talk with suizi and the directors Ben and Nigel i got a good idea of what they were looking for and was quite worried i might not be able to pull it off with just a 430 Exii and a reflective umbrella, but that was all i had so that was what i would have to use!!! The plan was to use the posters of 'THE L WORD" and "DESPERATE HOUSEWIVES" as an inspiration and go for something that is sexy, suggestive or seductive but not overly sexy that it looks pornographic.

The ladies all arrived and to my surprise it was actually the very first time they are all meeting each other, and only minutes later they would have to be half naked and all over each other, which made me realise just how brave actors are because we have a very low sense of inhibition and we make friends very easily in a room full of people we have never met. When we finished the ladies and the directors applauded me but i felt that truly it was them that deserved the applause because its not an easy thing to do and they took direction very well and were all very lovely to work with, i am sure their production will be a roaring success at the Edinburgh Fringe Festival and wish all the cast and crew a very bright and successful future.

Sunday 13 June 2010

With A Little Help From My Friends


A couple of days ago me and a group of photographer friends of mine wanted to go in to central london for an organic shoot with the hopes of taking portraits of random strangers that we bump in to along our way. We were armed with speed lights, pocket wizards, umbrellas and cameras and so we were not quite worried with the equipment, the challenge was to convince random public members to stop and have a lil fun with us and hopefully end up with some really cool pictures. London is not the most friendly of places for photographers as as soon as you are taking a picture in central london you are approached by a security guard or a police officer, now every location we went to we were asked to leave even though we didn't put down any tripods and we explained that this was a personal project and not a commercial shoot, and to add to that 9 out of 10 people we asked were very dismissive and frankly quite rude, its ok if you don't want to participate but there is no need to start cussing or just ignore us.

Ahh that rant is over now, i am currently watching the creative-live stream from the US with Zack Arias who is an amazing photographer, and trying to learn as much about studio lighting and how to grow my photography business. I am so amazed by the amount of great photographers out there that have been willing to share their skills and knowledge for free to photographers like myself. Zack is a visionary and to all starting photographers i would say definitely go to his blog and check out some of his work.

now before i finish this blog i would like to show you of our results from the shoot (well attempted shoot) in central london and if you havn't figured it out by now, the pictures at the top are of my other photographer friends, JAMIE McLAREN, OLA YIWOLA and FEMI in order. Here is the video of FEMI's poem shot using the 5D mk2, this was our very first time using the 5D for video and its an incredible piece of kit.

Sunday 6 June 2010

Train To Jordan

I know, i know, the titles for my blogs are getting stranger and stranger, but hey call it my humour. I chose that title because it happens to be the title of the song i am listening to on itunes, "Train to jordan" by Aretha Franklin, its one of my most favourite songs so i love listening to it when ever i'm feeling a bit down or just want to sit back, relax and let my mind wonder.

A couple of days ago i went to take pictures of my friend's show at SHUNT VAULTS and the pictures above are from that same production, it was one of the most challenging productions i've photographed because i had no way to prepare and neither did the actors as the lighting was purely controlled by the audience. As you can see from the first image the production is dependent on audience interaction, an individual can highlight a specific actor and watch and if that does not interest them then they can just fade the lights out and move on to someone else. The production was called Lautes Licht, and was directed by my friend Adrian Figueroa whom i worked with at the Gielgud Theatre. The venue was incredible, i've been there before for another production but i lost all the info i had on it and had been trying to find out what it was called and more information about it but as i didn't know what it was called i was at a dead end. It is a huge series of corridors and small rooms, its like a complete other world tucked away through a small door by London Bridge tube station. To all those that haven't been to the Shunt Vaults.... YOU HAVE TO CATCH THE NEXT SHOW!!!!! it is an incredible venue that i cannot believe is hidden away. One day i plan to do a shoot there.

So till next time :D

Sunday 23 May 2010

"Just when i thought i was out....."

I thought i would have probably given up blogging by now, but i kind of find it a bit relaxing so i guess its here to stay. Yesterday i had 2 different shoots, both of which were favours to friends of mine (to whom i now officially am their photographic wench, meaning shall they have any photographic needs i will be getting a phone call, which is JUST FINE WITH ME). The first one was with Susannah Lombardelli & Helen Broughton who were working on a show at the White Bear Theatre, called Le Silence. Helen was the director and Susannah the designer, i knew helen from university and Susannah from The Gielgud Theatre where we worked together so i was excited to take pictures of their production. As you can figure out the first two pictures are from that same production.

About a week and a half a go a very good old friend of mine sent me a message asking me to go and take pictures of a fashion show she was modelling. its been a very long time since i saw or spoke to Chumma so i jumped at the chance, plus it was another opportunity for some great pictures and new people to meet. So after i finished taking pictures of Le Silence i jumped on the bus and headed towards the fashion show. When i got there i saw Chumma and within seconds it was like we never even lost contact, now here is where the story gets interesting, now Chumma had no idea that photography was only allowed for the official photographers and they told me and her this as soon as i got there. So at this point i figured eh well so much for the pictures but at least i A) get to see Chumma again B) Meet new people & C) Get to watch a fashion show for free :). but right when i was about to pack my gear away a good friend of mine Ola Yiwola turns up with all his equipment. To put things in to context Ola is a friend of mine from Jessops, where we worked together and ever since i left we have stayed in contact as i respect him as a photographer and he i hope does the same of me, so the chances of me just randomly bumping in to him were quite SLIM. To make things more interesting Ola is the main Official photographer of the event, and as soon as the producers of the show turn up Ola Gets me a pass as a photographer. Maybe this is where all my recent bad luck will start to take a turn, but hey just gotta wait and see now.

Before i go, i gotta say a very big well done to all that were involved in both Le Silence and the African Fashion Show, as there was a lot of talent and hard work put in to these two events. Le Silence will be running at the White Bear Theatre for the next three weeks so go and grab a ticket before they sell out.

Till next time :D